from ABRUPT RURAL
IN
THE BLACK KITCHEN
It begins early, are crumbling over the
yard with its salt bird baths.
Then you dream of the banister
gleaming, your hand
from atop the stairs gripping a tiny
casket. Heat gathers above the
local graveyard
that dusts so resolutely the young
men’s shoes with its flags.
This is where the shadows meet the
white wall. Since
you were a boy you’ve moved unmolested
right through them.
But you are never alone. You are never
without the crumbs
your father scraped off your black
toast. The whiter the appliance
the rounder its corners. The
reflections on the floor are cut into many
small pieces.
There’s nowhere to hide. He keeps
looking in the window at you.
INSTEAD OF A FATHER
Because
the mind conceives a love of its own,
and
because it places this love,
because
the hands fall in a radiating numbness outside the mind’s hunger,
because
love in fact drips from the mind’s eaves
instead
of a father, instead of a ribbon flying out of a grave,
instead
of a handful of corn, instead of a crucifix,
I
crave sleep and dream. I wake and we make love.
Because
the mind conceives a love,
because
I have married some father’s daughter, because my daughter drowned
in her parent’s vast masonry, because I left matters pending but often shouldn’t
have.
I
wake and we don’t make love. Last night she said How sad to be dead
and have no one
who could write your biography. No friends, family. Because
wind
driving
sleet through the mind is what I was thinking. Because I was startled
awake.
Because the pasture of torches burns a hole
in
the midnight of weather. Because the past must stand before the mind now.
Because
the mind conceives a love instead of the father.
CURVATURE OF THE SPINE
It wasn’t all that long ago I watched a guy drink himself
to death he really died pissed all over himself first all over
the couch
later I saw the box cutter in the sink I wish I could have saved him
that same week I saw a giant swallowtail come up from Florida
banking like
a boat through the Dakota-like plains west of Galesburg
and knew I was a little bit singing/dying each minute
my hands
clutching the wheel of the mower she was the angel of death
that butterfly
And then my hands on the girl who dreamed and dreamed
while I kissed her
I watched her circulate in her clothes Then I started thinking
I’m not capable of thinking I’m just beating the wind with my nuts
I tell you from there things get foggy like many arrows whistling
through rain a confluence of vanishing points As a child I lived
near a hollow
scooped out in the dunes I watched the dying alewives float
through
my armpits their eyes sealed tight as iron
my spine grew about as straight as a grapevine strangling a
phone pole
As long as I can remember the trees have always clung to the cliffs
of sand
Nothing begins with me Nothing stays the same Nothing gropes
its way home
Those days and now These snapdragons and morning glories
marigolds I ate a basket of purple beans last night grew them in
the damp arbor
sun of the late afternoons when you throw them in boiling water
they turn green
it’s a miracle of alchemy they were still crunchy because I was so
hungry
I went to buy my girlfriend a goldfish I think of small bass shifting
over a moonlit bed I think of hot water cutting grease off a knife
I clotheslined this guy one time he was holding a coffee cup full of
beer
it was a long time ago there was an old wood stove smoking in the
corner
of a room it was full of burning hickory
the ground outside was littered with fresh dogwood petals
I reached my fingers out for a second because I thought it was
snowing
I left the fish in its bag he didn’t die but almost I opened the door
to her trailer
Tom she said Rick? the TV was going
she was watching a show about weather
all I could see was a shutter torn off a house and blown
across an empty street she had one lamp on I got out
of there quickly I started thinking about my life the way it
sometimes
sparkled like a bluegill caught in the sun or grew dark
like the rain in a yard full of lumber and bricks I could see my
breath
I peed off a culvert I listened to the hum of a streetlight
it kept getting later and later I walked all night
At dawn I saw that giant swallowtail slowly fanning her black wings
in my driveway like a candle burning inside an empty church
LAKE WINNIPEG
Dark
like an animal's fur, dew-covered, a little oily
as if decay might be arrested
Night
or nurtured, loved. Then blood on a single leaf,
curled near a hatchet,
a bag full of feet
under an almost-full moon.
Although this harbor's full moon lacks a sliver
Animal
of love. A marten, on hunt, creeps from behind
the boathouse, its teeth shining like lemons.
Bones
The man sees them in the dark, turns up the lamps
via rheostat. Someone else wakes
thinking butchered, thinking
Trees
okay, so he's upset. This happens on the other side
of the lake, trees
crowding the skinny peninsula,
Johnboat
turning evanescent the image of the flowers left
standing on the dock
in the mist of twilight. She feels an ache
in her teeth where she's been biting split shot,
pike blood deep in her nails.
He'd drive a chisel into the fishes' brains,
and now her iron's fucked up. Nothing's true north.
She's cold
Fillet Knife
and frightened. And a muskrat dives, comes up gleaming.
But only the animal sees it.
A STORY ABOUT ICE
I might as well admit it: I am frightened of ice, the way
it begins as a tiny flame—invisible, really—& then grows
into an icicle as water rinses over itself. I sleep while this goes on,
I cook dinner,
maybe watch TV. Outside the sparrows
multiply, & sometimes dodge away from their reflections. My neighbor,
after taking out her garbage,
walks with her hands in her pockets, reflected upside-down in ice,
her breath
small puffs of exhaust she chugs away from . . .
And I am frightened of the lathered knobs & swells of ice
on Lake Michigan, on which snow continues to fall even while one is
dreaming of a child who has drowned.
The snow falls & falls. And it sings while it falls, a song
like the sadness of those still living, consoling each other, or praying.
The drowned child floats now, & the sun has managed to spring loose,
a lion of a sun
melting a little the clear, unconscious ice resting under the weight
of the atmosphere.
The child—a boy—is on a raft with a blue bedspread tucked in
over its corners.
He is drifting. He has been drifting for a while, over deeper & deeper
water.
*
Nothing stays the same. By January the earth has tilted away from
the sun.
Sparrows huddle near the wrists of knotted wood
deep inside a shrub that has been pruned into a perfect cube.
What I mean is there is not always this fear.
The water rushes back & forth
under Muskegon Lake’s flat ice. And the weeds down there
wave in the current. A teardrop swings like a dead boy
riding the moon on a string & a small yellow fish feels something—
I guess it would be stupid to call it happiness—
and she presses her lips against the blue teardrop
and inhales it & even thinks she may now go rest
in her place beside several brown rocks
where the paper mill pours warm water into a cove after cooling
the huge machines that flatten & cook & dry the industrial-sized
sheets of paper.
There is a man whose job it is to keep the roof clear of ice at the
paper mill.
He looks around a giant vent pipe at the lake while he tosses salt
from bags attached to his belt. He moves his feet on the delicate
rung of the ladder, which vibrates
from the constantly moving gears inside the plant.
*
Anyway, the fish, a perch, has been hooked
and so she’s not going anywhere except up toward the circle of light
that hovers overhead like the quietest ringing,
something we all hear as long as we’re alive, like a finger pressed
to our foreheads.
Maybe the ringing, once we’re dead, grows louder, like a siren.
But as we leave the flesh it fades away like a bird flying off
a telephone
wire & disappearing inside a dense patch of woods . . .
The boy on his blue raft is singing now, inside the fish’s mouth.
He is drowned forever. Which is why his raft is blue, the color of
a summer sky, the color of his mother’s eyes.
And the perch is flipped
onto the ice, which is safe for now, holding us all up. And she has
brought some dark green
weeds with her, laced through her gills, & the weeds stripe the snow
and scatter in small dark flecks like a bright constellation
she stretches across the middle of, gasping for breath.
*
There is nothing to fear. I have fallen through ice
and I did not die. I have traveled in my car that is like its own
private galaxy
and have felt it veer off through the universe on sheets of black ice—
So this is what death will be like, I may have thought.
Like a man on a ladder, a little unsteady when
a wasp flies too close, like the boy
waking from a dream
about canoeing a smooth cold river but who instead finds himself
swallowing water
in his room. After a while he gives in & relaxes & breathes & goes
back to sleep
and dreams once again of the small window above his bed
steaming and shiny from a silver midsummer rain.
ISHPEMING
—The dead are perfectly preserved
in the ice-cold Superior water
So the hardware store in town shuts down
It isn’t late it’s winter
Lake Superior hums like a mountain range it’s always that deep . . .
The girl’s drowned sister sleeps in its water
Dimly, she is a mirror
Dark in the morning Dark in the evening
The giant furnace at the hardware store whooshes on
The girl switches off her lights
She adjusts her radio tuned to the sound
Of snow falling
She is conscious of the shape of her face
She listens in the dark
The snow unfolding—an animal turning around in her room
VILLAGE AFTER THIS ONE
I love you, world, despite my incommensurate
lack of confidence in your keeping on:
the street blowing with spits of snow
turns like a page I might doom
to darkness after reading it, forever,
or until I reopen the book. Then:
there it is, sun filtering
through the air
like faerie dust
raining down as I turn out of the dark isthmus
laid down by a basswood.
Okay. How to proceed
from here: I open the book
and see a thousand black shapes
like birds slowly coming into focus
over a marsh on a windy fall day.
I close the book, or look
away. Happiness, you are only memory
sometimes. But you will die full
of the light that troubles your precious
sadness. Be glad for once.
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