from ARROW POINTING NORTH (2002)
All day long smoke drifted through the lilacs
and the idea of that was so beautiful
I wasn’t surprised when some of my neighbors
came out of their houses and wandered
through the woods, looking for something.
That night over Brandywine Lake
the full moon froze the silhouettes
of geese flying north and the smell
of dying flowers wafted through the screens.
It was as if one might live forever, seeing
these things,
feeling them flow, one into another,
like the river of bees that streamed all
summer long
out a knothole in the side of the house,
comets blown through a black hole, or like
miniature
aircraft, dispersed among the trunks of trees
eventually to be lost in the darkness of
nightfall.
INSIDE/OUTSIDE
You see the lake
now, as every morning,
driving to work,
the way it just lies there, under ice,
under the zagging
shadows of trees without leaves,
some of the
boathouse doors
askew from a
winter’s battering, but somebody’s
boathouse, white,
for instance, brown trim like a little
home. Like your
home, your love,
your circular
dreams, your present idea-of-self,
your
lake-full-of-fish self, a body of water only a mile from end to end
and round as a
full moon,
the big paper
circle propped in the street you accidentally drive
your car through,
everyone
cheering, but the paper is ice and the ice
becomes a
blizzard
with a hole in
its corner,
and your family,
they love you, only their love is in slow-
motion and no
one’s aware of the thick carp glancing off your
windshield.
Every morning you
walk out the door
with your lunch
in a sack.
It’s nothing like
a painting, although sometimes your wife
draws the face of
a laughing rabbit on the brown paper
while you’re
upstairs dressing.
Door, lake,
boathouse, stoplight, first cigarette.
Long streams of
snow blowing off your roof like a wake.
Big paper bag
with a drawing of a rabbit on it
you hit going
fifty.
I
WANT TO BE BURIED
When
it’s time, I want to be buried under a river,
so
that eventually my bones become
a
place for fish to hide, small ones, like the dull
fathead
minnow or maybe a creek chub, plain
as
a white piece of paper.
I
would like to be structure, instead of a headstone.
It
might take a hundred—maybe a thousand—years
but
I want to be buried deep under the current
of
some hurtling stream of water
so
eventually a crayfish, if he feels like it, can climb up a rib
once
in a while, oversized claw in tow,
to
just look around or wave good-bye to his friend.
Sticklebacks,
water boatmen, mud puppies
could
all find refuge in my eye sockets
in
the event someone larger—say, a steelhead—goes hunting.
I
would like to be structure
for
pike, visiting from warm water estuaries,
my
hip like a bottle opener for prying
out
treble hooks. All winter long I’d be surrounded
by
pines heavy with snow, a few ice-capped logs sporting
what
look like helmets,
an
occasional crow crossing overhead,
a
piece of somebody’s lost shadow.
TALKING ABOUT SNOW ALL NIGHT
1.
He kissed them, before rubbing snow on the arms
Of the girls
Who’d come back crying
From the lake where they’d been lost on the ice.
Nobody froze or drowned.
Flakes like dust rolled by in a wave,
Blinding them,
And the snow refused to lie down.
That’s how they almost froze,
With skates on their feet.
When he eased their cold fingers out of their gloves
He thought of birds being born.
2.
But it’s almost summer now.
The piles of snow shrink back over the dirt
And grass.
Soon people are leaving cordless phones
On porch railings.
A woman does so so she can walk across the street
And sleep beneath
A row of blossoming dogwoods.
And the voice on the other end of the line
Grows smaller and smaller
Until there is nothing left but a fly
Bumping in lazy circles
Against the dusty garage door’s windows.
3.
I once had a dream in which everyone parked
Their cars
In a lot the size of Ohio & left them to rust.
They sat steaming in the fields for months,
The batteries slowly losing their charges, cooling,
One by one the dashboards fading,
Until one night late in October—
He thought he could hear the abandoned cars
Begin whispering to one another . . .
And it sounded like a light rain falling
Or like the soughing of waves
Through an open window
While you’re trying to sleep
In a bed
With a woman who’s been talking about snow all night,
How beautiful it is in the moonlight
After the city shuts down,
How it causes the deer to poke their noses through the hedges
After wandering like children
Into the suburbs,
Looking for something they’re not sure they want to find.
THE
OWL LEFT A FEATHER IN THE BUCKET AGAIN
Love, I saw you
once, your handlebars curved against the wind.
I have been
sealing many envelopes,
sleeping in
corduroy, drinking half & half with a little coffee.
A lantern’s been
spotted flying over the lake.
In twenty-two
cities the comic strips
leak into the
daily news—it’s all a big joke!
Somehow a candle
burns in the vacated grocery store.
A girl with a
vaccination scar
Entered the local
bank wanting a loan for a cemetery plot.
Nobody knew her.
Love I saw a priest
wandering the aisles of K-mart wearing a pea coat.
He had
dreadlocks. He was buying CDs.
Mr. Love, please,
I bought pillows for the orphanage,
a new bedspread
to cover my wife’s menstrual stains.
I watched a man
give another man the finger in broad daylight.
I’m not alone in
this.
The black widows
crawl over the tops of mailboxes; ambulances
idle at the end
of our road. A red and yellow can
of gasoline
appeared in the middle of the football field
last week. It
wasn’t an accident. Mr. Love, Dear Love,
the bridge is not
safe anymore. The swallows are about to revolt.
Quite often they
can be seen with something orange in their beaks.
I fear the worst.
An owl left a
feather in the bucket again.
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